Session Five â Keeping the Peace
They struck the Cordoban colors before they entered the weather. Rolled them up, stowed them, and went in flying nothing at all.
Arkady had already put two messages out to Hartemple. The first went by sending stone and came back almost at once: no contacts in Savannah. The second went into the hole of holding as a written note asking Miss K to start cultivating people in Savannah, in Reno, and along the Quebec border, with a bonus in it for her if she succeeded, signed Three Boats & Hoes. Somebody pointed out that the company name would stop being accurate the moment they sold a boat.
Then the cloud cover took them.
Visibility dropped to fifty feet. The light went flat and distant, the rain started somewhere below them, and everyone on deck turned their collars up. Chet stopped looking anywhere but his compass. The cold was the first thing that was wrong, though nobody said so yet, because they had come northwest out of Havana and tropical air does not do that.
The second thing was the thrumming.
It came through the cloud at intervals, from one angle and then another, never the same bearing twice. Far enough off to be deniable and close enough to have a presence. Chet could not place it either. Between the thrums, two of them picked out gunfire, the crack of rifle and pistol work carried on the wind, nowhere near them and coming from everywhere at once.
Arkady lashed himself to the bow beside the harpoon and began throwing ball bearings out into the fog to listen for what they hit. He threw twenty-five of them. They hit nothing.
Chet put the question of altitude to the deck and Tauon called it: go below, and let the rain wash them clean.
The Escort
Under the cloud there was open water, foamy and kicked up by hard rain, and visibility of about two hundred feet. Icy rain on exposed skin. From the rail they could see the envelope brushing the underside of the cloud and the swirl of it curling away behind the ship, and in among that, every so often, other swirls. Something large doing exactly what they were doing, on the other side.
Tauon caught one for half a second. A pale translucent keel skimming the cloud base, and then gone.
That was when the cold stopped being weather.
Tauon said it out loud to the deck. A place in constant war, in a world where belief manifests, where enough fighting and dying has happened in one place. There was a ghost ship out there and it had been pacing them for the better part of an hour.
Yazan went into bladesong and danced at the wheel, one hand on it and the rest of him in motion, trying to gather the ambient magic the way the crew had done above the Caribbean. Arkady, who had seen it work once, got up and imitated him. It did not take. The storm over the straits had been a magical thing and had fed them. This was only rain. Yazan could feel the difference, the power coming out of him instead of into him.
Arkady opened the Compass of Need. The needle sat dead on the ship's heading and stayed there.
Then a ghostly vessel dropped out of the cloud off one shoulder, and a second dropped off the other, and the Boats N Hoes was under escort.
They did not fire. They did not close. They did not try to stop anything. They held station at fifty or seventy-five feet on either side, and there were figures on their decks, translucent and ghastly and quite obviously not alive, and some of those figures were looking directly into the crew.
They were military. Unmistakably military, and unmistakably centuries out of date in hull and rig. Yazan has spent his life around magically born things and none of it surprised him, except for one detail he had to ask about out loud, which was that in his entire experience something like this did not simply decline to attack.
For half an hour the three ships flew together through the rain.
At one point the galleon on the right dipped far enough below the cloud for its colors to show, tattered and flickering, and the emblazoned puma of Amazonia stood out of the murk for a moment and was gone. Not long after, Chet's nerves moved the wheel a few degrees before he caught it and corrected, and in that moment they came close enough to the vessel on the left to see that every soldier on her deck was Cordoban.
Then the lights of the city came up out of the dark ahead, and both galleons climbed back into the cloud.
Savannah
The rain thinned to drizzle, then mist, then nothing. The sky opened into a strip of evening, purple on one side and red on the other, and Savannah sat in the middle of a clear eye perhaps fifteen miles across with the weather standing in a wall all the way around it.
It is a city in a swamp. Tributaries and moss and low ground, farms and plantations scattered through the wet country outside it, and more structures than lights by a long way. Whole districts of it are rotted and abandoned and overgrown. Some of it is kept beautifully. The two sit next to each other without apparent logic.
There is no gantry quarter. Airships are moored wherever their owners found room. Circling it, Scout could find no garrison, no barracks, no patrol, and no watchtower anywhere in the city.
They decided to set down outside town and walk in. Arkady put the compass up again and it drifted, roughly, toward the city, which Chet found appalling.
âThat is not a trustworthy navigational device.â
He put them down beside an abandoned plantation on the west side, an overgrown ruin of a farmhouse with the old irrigation lines still readable under the swamp, a road running into town just past the property marker. He dropped anchor, then went and made the damaged sloop fast himself without being asked, and said he would stay with the ships and wait for Miyake. Tauon told him to make sure she knew not to open the crates in the hold.
The hole of holding had a reply in it by then. Miss K's note read: âThat's a tall order but I'll get right on it. I expect a Christmas bonus.â
They decided to actually send her one. Tauon went looking for ribbon in the workshop and found canvas, and Yazan said there was a Cordoban flag they had pulled off the sloop, grey and gold, and went to get it.
The House
The flag was aboard the sloop. Yazan fetched it, bundled it in one hand, and stepped down off the hull.
The moment his boots hit the ground the air came apart. Rifle fire from somewhere he could not see, branches going, dirt jumping, rounds passing close enough to be unmistakable, and no idea at all where any of it was coming from. He went straight into thunder step and landed on the deck of the Boats N Hoes in a crack of displaced air.
The gunfire stopped the instant he was aboard.
Chet had eyes on it. âSomebody fucking shot out of that house. I didn't see any gun smoke.â His hand had gone to his pepperbox and stayed there.
There was no light in the house. There was no powder smoke anywhere, and there should have been a great deal of it.
Tauon walked down off the ship and started toward the building. Nothing happened. He crossed a hundred feet of wet ground with nothing for company but the squelch of his own boots and the willow branches scraping his shoulders, and stopped thirty feet short of the porch. It is a rotting wreck. Sunken decking, broken planks standing up out of the wraparound, sections of roof sagging in.
He looked down. In all that soft wet earth the only disturbance was his own tracks. Nobody had walked there in decades.
Arkady ran the experiment from the ship. He put on Lieutenant Marin, the Amazonian officer, and stepped off onto the ground. Nothing. He changed into the scrap dealer, neutral and nobody's, and stepped off again. Nothing.
Then he planted a silent image of a Cordoban flag on the ground between the ship and the house.
A flash from one of the windows, the whizz of a round going past, a brief curl of powder smoke that was gone before anyone could fix on it, and the bullet passed through the illusion and into the dark beyond. Arkady left the flag standing and then, because it was there, walked it slowly toward the house in a zigzag.
Tauon went inside. The rotted boards held. He called into the dark and nothing answered. There is furniture still in it, sofas gone to rot and shelves of books gone to rot, and a fireplace set in the middle of a room with old charcoal still in it.
On his way out he set ten silver coins on the end table by the door and said his piece, that they had left their ships in the yard and would like them tended, that they wished no trouble, and that if they were not wanted they would be told, but that until then he intended to pay his fare for parking.
The coins went off the table before his hand had fully left them, and hit the floor one after another.
âThat's their way of telling us that we're not wanted here.â
Tauon came back and recommended they move. There was nowhere to move to. The consensus was that every abandoned house around Savannah looks exactly like this one, and there are perhaps a dozen occupied places scattered around the whole ring of the city. They stayed. Chet said he had no problem staying with the boat so long as he didn't have to leave it, and then, under his breath, that this was honestly not the craziest thing he had ever seen.
Tauon cut the gold embroidery off the Cordoban flag and made up a very fancy little package for Miss K.
The Town That Closes
It was eleven o'clock when they walked in.
Havana had been hot and wet and loud at this hour. Savannah is cold in a way that belongs several thousand miles north, and it is shut. Not gated, not guarded, simply asleep. Boots on a board floor somewhere out of sight, a footfall in an alley, lights going out as they came. Nothing open. It became clear fairly quickly that it is probably not busy during the day either.
Two places had light, and both were closer to inns than taverns. They went into the nearest one.
Woodsmoke, cooked food, good tobacco. Cloth wedged under a table leg to stop it rocking, mismatched stools along what is really a shelf with a window behind it. A man behind a desk with a young face and considerable grey in his hair, mid forties or mid fifties, leaned back with a pulp novella. He clocked them on the way in and went straight back to his book.
Ten silver for a meal. He nodded at the stools and went in back and came out with four plates of something that looked like beef and smelled like seafood, and gave no sign of caring whether they liked it.
Tauon asked him who a man would talk to about unloading a couple of salvage vessels, and left the change on the counter for his trouble.
The man was flatly surprised to be addressed. âWell, it's a little late to be doing business around these parts. Wait for morning. Head down to the docks, where a cargo gets a better hearing. Stay off the east side of town, which is a good deal more cutthroat if what you want is a fair deal. There are shipwrights down there who would be glad to scrap it for you if nothing else.â
Scout does not eat. Arkady spiced the untouched bowl and left it, and the innkeeper said he would give it to the dogs.
Chicory
On the walk back the moon came up over the cloud wall and put a hard diagonal light across the fields, and from four or five hundred yards out they could see something burning between the house and the ships.
They tried to come in quietly. On the road it worked. The moment they stepped off it into the moss their boots started sinking with an audible slump, and they stopped, and heard voices. Conversation, unhurried.
Tauon went around the house.
Chet was sitting at a campfire with three ghosts, holding a cup from the ship's own coffee service, mid conversation. He looked up.
âIs the coffee good? Oh, it's chicory, but the company's alright. Have a seat.â
They are not specters. They are people, translucent and shifting slightly at the edges, expressive, sitting. They are also in various states of decay, and the wounds that killed them are visible on them. One Cordoban soldier. One Amazonian soldier. One Amazonian officer.
The officer spoke first.
âHe told us you would come.â
Then: âWhat outfit you boys with?â
âWe were independent contractors.â
Tauon told him about the ships. That they had been taken, that they had looked like military vessels, and the officer's eye twitched, and then his face came open into something no human face can physically do, rage and terror together, held for a moment and then put away. Tauon kept going. Salvage now. They came at us out of the clouds from nowhere.
The wave passed. âWell, sounds like you did our job for us.â
Nobody laughed.
Arkady sat down and lit a cigarette and watched the smoke drift up and pass straight through the officer.
âI'm sure this fighting is going to start again. But right now we just hold the line.â They were waiting to hear back from Admiral Marchetti.
âNobody fights,â Tauon said. âNot in this air. Not on this ground.â
The officer's face went to open confusion, as though he had been handed something with no category to put it in, and he glitched, visibly, and came back.
âWe sent a courier not two days ago and he hasn't returned. Obviously not, we're still here. Something wrong with your ears, boy?â And then, going: âThey don't know what it's like down here. They don't know what it's like in these trenches, these skies.â
âBut now there's peace,â Tauon said. âPeace is good for profit.â
Maintain the peace. Hold the line. Until the courier comes back.
It came around again after that, and again. Every time the loop closed on itself, the two soldiers, the Amazonian and the Cordoban both, nodded along together.
Tauon leaned over to Chet and remarked on the company he was keeping.
âHe says the same fucking thing every fucking five minutes,â Chet said, very quietly. âI don't know how to leave.â And then, when asked how this had started: âAs soon as that moonlight touched the ships he came over knocking. I didn't know what to do.â
âYou made them coffee. You did the right thing.â
Chet's trousers were wet.
Tauon stood and made his excuses, that it was late and he would turn in, that they should keep the peace, that there was wood for the fire and coffee to enjoy.
The fire was giving light. It was not actually burning and it put out no heat at all.
When Tauon put a hand on Chet to bring him along, Chet came back into himself like a man surfacing. They went aboard. The three of them stayed at the fire all night, and anyone who looked found them still there.
Once in the small hours, a detachment of ghost soldiers came up the road carrying two flags, one Cordoban and one Amazonian, marching what appeared to be a patrol. They did not look over.
By first light the fire was out, with a thread of ethereal smoke still coming off it, and the officer had gone back into the house.
Benny
Morning in Savannah is a different city. A butcher open, a bakery open, fresh bread on the air, a man and his son pushing a cart of produce toward market. People polite with each other. Nobody anywhere looking over their shoulder.
The waterfront is the working quarter. Ship repair, blacksmiths, woodworking, plenty of activity and nothing resembling a warehouse district, a garrison, or a watchtower. It reads like a small town that happens to occupy a large city.
The first yard they came to is closer to a dry dock than anything, with a fishing barge up in it and a field of junked hulls behind, nothing bigger than a caravel in the whole lot. Tauon walked up to the owner and got most of the way through âtwo Cordoban sloopsâ before correcting himself to pirate vessels, taken out of the clouds, crew dispatched, towed in, one in rough shape and one sound.
The owner had one question. âAnd what about their colors?â
âThey're not flying any colors currently.â
âGood.â
He hollered for Benny, who came up at a run pulling his trousers straight, fifteen or twenty years old and visibly delighted. âThey got two ships they want to sell. You're gonna need to go take a look at 'em. Make sure they ain't flying no fucking colors either.â And then, to the party: âYou take Benny with you. Benny knows what he's doing. I trust this boy with my life.â
Benny talked the whole mile.
He asked where they were from, and Tauon started to say Amazonia, caught it, and said Atlantis. Hartemple. Benny had never heard of Hartemple. He asked whether it was in Dixie. He had never heard of Atlantis either, and asked whether that was in Dixie.
Yazan talked over the rest of the question and gave him the whole thing instead, an epic of conquest and heroism told with his arms and his feet as much as his voice, pirates out of the clouds and a boarding and a famous victory, with no Cordobans anywhere in it. Benny hung on every word of it.
âHot damn, you boys really seem like you know what you're doing. I wouldn't mind having you at my back in a bar fight.â
There are bars. They close at ten. The company gets strange after ten. âKernel always says, nothing good happens after ten o'clock.â âKernel Nichols. You might call him like a mayor.â âHe ain't in charge of nothing, but just everybody listens to him.â
On the dead: âMost people, they get all their panties bunched up when they see what we got going on out here. But you know what I say? I say it works out pretty good. So many things we don't even got to worry about.â
Benny has never left Savannah. He has lived here his whole life. Sometimes the fishermen come in and tell him stories about the people they meet out there. People like you. He knows a couple of women and all of them are spoken for.
He walked around the house and saw the ships and stopped.
âDamn. Them's warships. Surprised you boys didn't get shot at on your way in.â
âWe were escorted in. It was very nice.â
âThere's all sorts of boats around these parts didn't have them kind of smarts. They got shot right out the goddamn sky.â
He knew exactly what he was looking at. He said so. âYou can use whatever fancy words you want. You shot that shit, we grabbed it.â
He opened at four thousand for the sound one and two for the wreck. Yazan put it to him that the story alone was worth ten. Benny was unmoved and said daddy would never let him go past five for any of these boats, and gave them the reason, which is that the swamp around Savannah is littered with ships exactly like these that do not fly, and if you gather enough of them you can assemble one that does.
Tauon came back with eight and a structure: eight on the wrecked one, less the cost of stripping the hardpoint and the small cannon off it and mounting both on the caravel.
Benny squinted. The work had been slow. Daddy would like it if he brought in a job as well as a hull.
âI ain't gonna give you eight. I'll give you six and the work.â
He spat in his hand and held it out, and Tauon shook it.
So the wreck went for six thousand and the labor, and the sound sloop stays with them to be sold somewhere there is money. The dry dock is occupied until the barge comes out, which is a day, and the hardpoint is another day after that. Scout offered his hands to speed it up and got a few hundred more out of the father for it.
Benny flew the junker in himself, with no instruction and no familiarity, all over the sky and entirely in control of it. The Boats N Hoes went into the yard out back, where there are hounds. They keep to the shadows between the hulls, they are built wrong through the shoulders, and they give off a green light.
The father came out to the ship to say his piece, that his boy was a damn fine negotiator, that it was a wonderful deal, and that he was glad of the work and gladder to see men like them willing to get their hands dirty alongside everyone else.
The barge took the whole next day. Two damaged envelopes, pitch and thread and canvas, and the thing reeks, because somebody lives aboard it and has not been careful about where. They came off it at five or six in the evening with blisters.
Benny wanted to take them drinking. His father had never gone with him.
Kernel Nichols
He took them to the part of town the innkeeper had warned them off, which is three saloons and a few drunks against the posts and nothing worse than that.
Nobody in any of them was rowdy. No shouting, no arguing, nothing close to a fight. There is heavy drinking in Savannah and all of it is the quiet, sorrowful, downward kind. In twenty four hours in this city nobody had yet heard a voice raised in anything but good humor.
A man outside in a vest and rolled sleeves with gold on him watched them go in and did not follow.
Tauon bought whiskey and beer and spent the night telling the room about the world, and Benny drank it in with the look of a young man who wants to taste all of it, right up until somewhere past ten when he caught himself mid slur, sobered noticeably, and said it was a good idea to turn in because there was a hard day of work tomorrow.
The man in the vest was on the porch when they came out, ten feet away, watching them and saying nothing.
Yazan went to him. âStories of your leadership make their way around to newcomers.â
âWell, I ain't no leader. I'm just somebody who cares.â
He allowed that he enjoyed a great deal of respect around these parts. Asked whether he kept the peace, he said he did not need to.
He checked a gold pocket watch that caught the lantern light.
âIt's about nine forty five by my time. You boys are from out of town so I'll give you the benefit of the doubt. There is a curfew. Now, it's not enforced by me. You want to make sure you're nice and tucked in by ten o'clock.â
âWhy the curfew, if the peace is kept?â
âNothing good happens after ten o'clock.â
Yazan mentioned that they had enjoyed some very good coffee after ten the night before, outside the city.
âSo you met them.â A pause. âThey keep the peace. And if they suffered your company and you're still breathing, that's a good sign.â
He sent Benny home, said he had seen them regaling sweet Benny with tales of the outside, and proposed they continue the conversation somewhere with better brandy. He turned on his heel to lead them and his spurs rang on the boards. Gold spurs. There is not a horse anywhere in Savannah.
His house is Victorian, stately, and conspicuously well kept in a city that is mostly not. Two children inside being chased down for bed by a woman who is plainly staff. They came to him for a hug and he returned it and moved them along quickly, and took the party into a drawing room.
âNow, I gather that you boys are here to offload some acquired merchandise.â
He had already had a look at the vessels himself.
âI'm sure you've pieced together by now that these parts don't take kindly to belligerence of any kind. And if you're gonna find success, if you're gonna find fortune in these parts, you're gonna need to give all that up. Or you can be on your way.â
Tauon told him it was a lovely city, blessed to be a place of peace in the middle of a storm.
âI appreciate the attempt. But it's difficult to look on this city and find it lovely. The sad truth is that it exists in a state of perpetual purgatory.â
âBut you are not harassed by the war.â
âIn the same way that we are sheltered from the war, we are sheltered from the rest of the world.â
Tauon, who has spent his life moving, said he did not understand why a man would stay.
âPacking up and leaving ain't as easy as it sounds for some. Especially more than others.â And then: âI got too many people to care about here.â The children are his wards. The penalty for belligerence in Savannah is a swift and painful death, and that is how their parents died, and the city is not exactly swimming in orphanages, so he does what he can. He is not going to leave them on the street.
On the curfew, in confidence: âBetween you and me and the wall, it's really more out of prudence than anything else. You let people drink too long, eventually the voices get higher and passions spring out of nowhere, and next thing you know there's a bar fight spilling into the street. And before you know it you got fifteen, twenty undead soldiers walking through with rifles talking about keeping the peace.â
Tauon said that in his travels he had come to value peace.
âPrison is generally a very peaceful place when the only punishment is death.â
He took a long pull of the brandy, which is excellent and entirely mundane.
They asked him outright whether he would get rid of the undead soldiers if he could.
âNow that's a million gold question right there.â
He nodded toward the nanny getting the children up the stairs. There was something in his face then that was fondness and grief at the same time.
âKeeps me up at night. They'll never know the world. They'll never know what a sunrise looks like, what a sunset can do to your soul. They're trapped here. Just like me. You ask me would I change that if I could.â
He did not finish it.
What he said instead was that the only real salvation for Savannah is that the war ends. Move the dead somewhere else and the city is defenseless. There is no watch. There are no soldiers. There is no armory. Somebody would come, and it would go over like a domino.
âIf you could convince the Cordobans and the Amazonians, alive or dead, that it was time to put down the rifles. Well. I think that would be a bright future.â
Marchetti, he told them, has been dead a hundred and sixty years.
Somebody observed that it would take the courier a while to reach him.
Yazan asked what would happen if they could convince the soldiers that Admiral Marchetti had sent new orders.
âThat would be a miracle.â Then, immediately: âBut if they weren't here, the armies would come.â
Arkady said that at a certain point in a man's life avoiding the problem stops being a solution, and eventually you have to turn and face it.
Nichols took another long pull. âWhat do I know.â
Tauon told him plainly that it was a dangerous game he was proposing, and that if he wished to play it, they would help him roll the dice.
âNo, no. Let's not be hasty. I don't know what I'm saying. It's the brandy talking.â And again, when pressed: âIt's the brandy talking. You pay me no mind. I just get these delusions.â
He is lying, and everyone in the room could see it. The want was fully formed and sitting right at the front of him, and he will not say the words. It is not pride. It is fear.
What he asked for instead was something else entirely.
âThere is one thing that this city needs that I cannot provide. In my time here, and I've been here almost twenty five years, I've seen priests come and go. None will stay to minister to our people. None will exist in this constant hell.â
âIf nothing else changes, and the war goes on forever, and we keep our peace, or we have our peace kept for us. I think it would do this city a lot of good to find some kind of faith.â
Tauon told him he would find somebody and send them.
He also told him that the purgatory might be brighter than he thought.
âEasy to say that from the outside looking in. Easy to say that when you pass all them wrecks out around the city. Easy to say that when you're getting chased by bullets. But when you're here, you're surrounded by it, it's a part of you, you breathe it. I think you might develop a different opinion.â
Tauon allowed that he was a man of the world and had come to enjoy a certain lack of peace.
âWell, just keep it out of my town.â
He chuckled, finished his glass, and told them over his shoulder on the way up the stairs that he would let them see themselves out.
What Miyake Said
They walked back past curfew, the last few locals hurrying home ahead of them and the town folding itself up for the night. The junkyard gate was shut with the door left ajar. The hounds were out among the hulls. They let themselves in and closed it behind them.
Miyake was aboard.
âYou put us in the middle of a fucking war zone.â
They talked about the soldiers, and about whether anything could be done for the city, and at some point Yazan asked her a question that was not about Savannah at all.
âIf you could change the world, would you do it?â
âYes. I would.â
Then he asked how they might get rid of the undead soldiers without leaving Savannah undefended, and whatever had opened for a second closed again.
âThat's not why I hired you.â A pause, and something she started and abandoned about what it would mean to be able to do a thing and not do it. Then: âThat's not why I hired you. If you find it necessary to stay, I won't stop you. But I won't help you.â
âWe're not staying here. One way or another.â
âWe're having some modifications done to our ship, then we're on our way.â
âChet tells me. And probably prudent, considering we're in the middle of a fucking war zone.â
Tauon said they were quite safe here. They keep the peace.
He mentioned that he was looking for someone who might bring the city some faith.
âI don't keep company with priests.â
âIs the coffee good?â
âIt's tea.â